Description
Vinyl, LP, Album, Reissue, Stereo, 180 gram, Gatefold
Andrew Hill’s Black Fire is both the pianist and composer’s debut and an acknowledged masterpiece of modern post-bop jazz. Featuring a sublime quartet with Joe Henderson on tenor saxophone, Richard Davis on bass, and Roy Haynes on drums, the music still sounds as fresh today as it did the day it was recorded in November 1963, the start of an astounding creative streak that also produced Hill’s great albums Smokestack, Judgment!, and Point of Departure during a period of just 4 months.
Blue Note Tone Poet Series
The Blue Note Tone Poet Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the “Tone Poet,” on board to curate and supervise a series of reissues from the Blue Note family of labels.
Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.
Blue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).
1 Pumpkin
2 Subterfuge
3 Black Fire
4 Cantardos
5 Tired Trade
6 McNeil Island
7 Land Of Nod
Andrew Hill’s Black Fire is both the pianist and composer’s debut and an acknowledged masterpiece of modern post-bop jazz. Featuring a sublime quartet with Joe Henderson on tenor saxophone, Richard Davis on bass, and Roy Haynes on drums, the music still sounds as fresh today as it did the day it was recorded in November 1963, the start of an astounding creative streak that also produced Hill’s great albums Smokestack, Judgment!, and Point of Departure during a period of just 4 months.
Blue Note Tone Poet Series
The Blue Note Tone Poet Series was born out of Blue Note President Don Was’ admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley (from Music Matters), a.k.a. the “Tone Poet,” on board to curate and supervise a series of reissues from the Blue Note family of labels.
Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180 gm audiophile LP pressings by Record Technology Inc. Every aspect of these Blue Note/Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.
Blue Note Records’ Tone Poet Audiophile Vinyl Reissue Series is produced by Joe Harley and features all-analog, mastered-from-the-original-master-tape 180g audiophile vinyl reissues in deluxe gatefold packaging. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI).
1 Pumpkin
2 Subterfuge
3 Black Fire
4 Cantardos
5 Tired Trade
6 McNeil Island
7 Land Of Nod